Informed by a process of immersion, extraction and abstraction my work is a form of mapping or shorthand for a collection of ideas and ideologies, symbolising an activity in time and place.

The focus for my work is archaeology and geology – a response and re-interpretation that explores the interaction of the human and natural environment. Much of my work is landscape based – not the picturesque view but a quest for a real understanding of what lies beyond the aesthetic. My work takes a deeper look at the underlying factors that determine how our land has been used and shaped, how we move through it, the impact we have and the traces we leave behind. My work attempts to reveal what is not always immediately apparent, what can’t always be seen on the surface

Much of my work originates from investigating the specific landscapes of Dorset and West Cornwall and refers to the faint marks in the earth, visible only from the air, that reveal the sites of early human habitation, traces that form a readable map laying out clues to the story to be unravelled. Walking is an essential part of my process, encompassing the physical and imagined aspects of the past and present. More recent works go below ground exploring the geology beneath. The work in this series references the term ‘deep time’ used by geologists to describe the concept of the vast unimaginable periods of time represented by geological timescales. Homing in on the physicality and colour of the exposed rock face of the Dorset coast and the ‘colour’ of time as symbolised by geological mapping, these works convey a sense of the age old, all knowing of the rock beneath our feet and the concept of these slowly formed layers acting as compressed data stores recording everything.